In this chapter, we'll take a look at two more Single PART Performances, each one made from just a simple two Operator stack. These are exactly like the previous examples, with the exception that the Modulator to Carrier tuning Ratio is 1:1 here. It was 2:1 in the previous examples - and this will give us yet another array of timbres we can build - as your ears will tell you. We will apply the same 8 Assign Knob parameters as in the previous examples and, again, show that with just these parameters, we can fashion a very wide variety of initial FM-X waves.
Learn more about "Mastering MONTAGE"! Yamahasynth.com and @YamahaMusicUSA are pleased to announce over four hours of MONTAGE Music Synthesizer instructional videos. These videos cover everything from basic user interface overviews to deep dives into Motion Sequences, Super Knob programing and more. The content is close to being completed and all the videos will be released soon on yamahasynth.com. As a bonus for our yamahasynth.com community, we would like to offer a sneak peak of some of this great new content.
The Performances that have "Swell" in the name represent something different and unique about programming and controlling the MONTAGE. If you don't have an FC7 pedal plugged in and acting as your surrogate Super Knob, you'll miss out on this magical performing innovation. So plug in your FC7 pedal and learn more below.
The MONTAGE synthesizer is an amazing instrument - from producing EDM to designing specific sounds for a film – or as a creative outlet for your audio dreams. It is also a powerful piece of music technology which requires some practice and guidance to leverage fully its capabilities. To help you make the most of your MONTAGE, Yamaha's own Bad Mister has provided this deep diving "Mastering MONTAGE" series. If you have not had an opportunity to learn from this master musician and synthesizer guru, check out his recently completed 14-part series:
Motion Sequences are tempo-synchronized, completely customizable control sequences which can be assigned to virtually any synthesizer parameter - and provide incredibly creative new ways of programming sound. In this lesson from our own Bad Mister, learn more about how the Motion Sequence dedicated controls on the front panel make it easy to manipulate and change in real-time, providing incredible interactivity and expression.
In this lesson, Bad Mister explains the "Side Chain" function of the Motion Control Synthesis Engine which allows for modifying one Part with another. It also extends to the external world as well, because the source PART could be an external input (microphone, guitar, audio device, etc.). This can take several forms and in this session, we'll take a brief look at three of the basic possibilities - including one popular in Electronic Dance Music.