Behind the Synth: Scott Plunkett Synth Chat

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Check out this interview with keyboardist and sound designer, Scott Plunkett.
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404 Hits

SynthBits: Nahre Sol on How Synthesizers have Influenced a Classical Musician

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Nahre Sol is back with some insights about synthesizers and some great playing!
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  257 Hits
257 Hits

Scott Brackett: RSVP (Retro Synth Video Program) Part 3

Scott Brackett: RSVP (Retro Synth Video Program) Part 3
The conclusion of Scott Brackett’s CX5M and C1 Music Computers exploration.
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  118 Hits
118 Hits

Scott Brackett: RSVP (Retro Synth Video Program) Part 2

Scott Brackett: RSVP (Retro Synth Video Program) Part 2
Part 2 of Scott's journey into the world of the CX5M and C1 Music Computers.
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  114 Hits
114 Hits

Scott Brackett: RSVP (Retro Synth Video Program) Part 1

Scott Brackett: RSVP (Retro Synth Video Program) Part 1
The Brackett is Backett with the RSVP Series!
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  129 Hits
129 Hits

Manny's FM-Xplorations: Article 1

Manny's FM-Xplorations: Article 1
Welcome to the first article in the Dr. Manny Fernandez FM-Xploration Series! A longtime FM programmer who contributed sounds for the DX7II, SY77, SY99 FS1R and DX200  - Manny Fernandez shares lots of tips and tricks in this highly informantive series.
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  247 Hits
247 Hits

Manny's FM-Xplorations: Article 1

Manny's FM-Xplorations: Article 1
Welcome to the first article in the Dr. Manny Fernandez FM-Xploration Series! A longtime FM programmer who contributed sounds for the DX7II, SY77, SY99 FS1R and DX200  - Manny Fernandez shares lots of tips and tricks in this highly informantive series.
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  8530 Hits
8530 Hits

Manny's Modulation Manifesto: Bass Sounds

Manny's Modulation Manifesto: Bass Sounds

An FM Synthesis Programming Tutorial focusing on the Yamaha Reface DX architecture - Lesson 5

For this installment, I'm going to discuss another area where FM synthesis is very versatile across the wide spectrum of musical styles – Bass sounds. From the Bass 1 and Fretless presets in the original DX7 to the LatelyBass and SolidBass patches in the TX81Z & DX100, the legacy of FM for Bass sounds is well known. So, starting from the "bottom up" as it were, let's build some Bass sounds.
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  10738 Hits
10738 Hits

Manny's Modulation Manifesto: Synth Pads

Manny's Modulation Manifesto: Synth Pads

An FM Synthesis Programming Tutorial focusing on the Yamaha Reface DX architecture - Lesson 4.

For this article, I'm going to delve into an area where FM synthesizers like the Reface DX are especially versatile -- the creation of pad sounds. Because of the amount of harmonic (overtone) content that can be created by even just a single modulator, FM synthesis is capable of creating a vast array of evolving and shifting pad sounds and timbres. The first place to start in constructing your pad sound is the Algorithm – which one to choose?
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  9040 Hits
9040 Hits

Manny's Modulation Manifesto: Wrapping up – Advanced Tips, Tricks & FM Quirks

Manny's Modulation Manifesto: Wrapping up – Advanced Tips, Tricks & FM Quirks

An FM Synthesis Programming Tutorial focusing on the Yamaha reface DX architecture - Lesson 7

For this final article, I'll build on the concepts covered in prior articles and discuss some advanced tips, tricks - and unusual FM quirks - I've learned in my 30+ years of programming Yamaha FM synthesizers. These advanced concepts can help you to twist your sound creations in some unique and personal ways. Four tricks & quirks I'm going to discuss are: Velocity Tricks; Envelope Level Tricks; Detuning Quirks; and, Fixed Frequency Sub-Audio Carriers. So, off we go!
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  9146 Hits
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9146 Hits

Manny's Modulation Manifesto: Lead Sounds

Manny's Modulation Manifesto: Lead Sounds

An FM Synthesis Programming Tutorial focusing on the Yamaha reface DX architecture - Lesson 6

Hopefully with the articles so far, you've been able to gain a reasonable understanding and 'ear experience' with how FM synthesis behaves. This article is going to put together many of the concepts discussed prior in this series and take a little deeper dive into FM than in the previous articles. We are going to do this as we go into another area where FM synthesis is very effective and powerful – lead sounds.
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  7655 Hits
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7655 Hits

Manny's Modulation Manifesto: Ensemble Brass Voices

Manny's Modulation Manifesto: Ensemble Brass Voices

An FM Synthesis Programming Tutorial focusing on the Yamaha Reface DX Architecture - Lesson 3.

In the last lesson, you learned how to program Solo Brass Voices (if you missed it, check it out here). Now experience how to enrich your repertoire - and sound - by creating Ensemble Brass Voices.
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  7169 Hits
7169 Hits

Manny's Modulation Manifesto: Solo Brass Voices

Manny's Modulation Manifesto: Solo Brass Voices

An FM Synthesis Programming Tutorial series focusing on the Yamaha Reface DX Architecture - Lesson 2.

In this session we will embark on our first example in programming specific Voices from scratch: solo brass voices. Brass voices permeate and inform the many sounds of our life - from pop, jazz, R&B to movie soundtracks. Let's get started.
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  10128 Hits
10128 Hits

Manny's Modulation Manifesto: Intro to FM Synthesis

Manny's Modulation Manifesto: Intro to FM Synthesis
An FM Synthesis Programming Tutorial focusing on the Yamaha Reface DX architecture - the first in a new series.
Continue reading
  22384 Hits
22384 Hits

Manny's Modulation Manifesto: Bass Sounds

Manny's Modulation Manifesto: Bass Sounds

An FM Synthesis Programming Tutorial focusing on the Yamaha Reface DX architecture - Lesson 5

For this installment, I'm going to discuss another area where FM synthesis is very versatile across the wide spectrum of musical styles – Bass sounds. From the Bass 1 and Fretless presets in the original DX7 to the LatelyBass and SolidBass patches in the TX81Z & DX100, the legacy of FM for Bass sounds is well known. So, starting from the "bottom up" as it were, let's build some Bass sounds.
Continue reading
  833 Hits
833 Hits

Manny's Modulation Manifesto: Ensemble Brass Voices

Manny's Modulation Manifesto: Ensemble Brass Voices

An FM Synthesis Programming Tutorial focusing on the Yamaha Reface DX Architecture - Lesson 3.

In the last lesson, you learned how to program Solo Brass Voices (if you missed it, check it out here). Now experience how to enrich your repertoire - and sound - by creating Ensemble Brass Voices.
Continue reading
  349 Hits
349 Hits

Manny's Modulation Manifesto: Intro to FM Synthesis

Manny's Modulation Manifesto: Intro to FM Synthesis
An FM Synthesis Programming Tutorial focusing on the Yamaha Reface DX architecture - the first in a new series.
Continue reading
  338 Hits
338 Hits

Mannys Modulation Manifesto: Lead Sounds

Mannys Modulation Manifesto: Lead Sounds

An FM Synthesis Programming Tutorial focusing on the Yamaha reface DX architecture - Lesson 6

Hopefully with the articles so far, you've been able to gain a reasonable understanding and 'ear experience' with how FM synthesis behaves. This article is going to put together many of the concepts discussed prior in this series and take a little deeper dive into FM than in the previous articles. We are going to do this as we go into another area where FM synthesis is very effective and powerful – lead sounds.
Continue reading
  253 Hits
253 Hits

Manny's Modulation Manifesto: Solo Brass Voices

Manny's Modulation Manifesto: Solo Brass Voices

An FM Synthesis Programming Tutorial series focusing on the Yamaha Reface DX Architecture - Lesson 2.

In this session we will embark on our first example in programming specific Voices from scratch: solo brass voices. Brass voices permeate and inform the many sounds of our life - from pop, jazz, R&B to movie soundtracks. Let's get started.
Continue reading
  543 Hits
543 Hits

Manny's Modulation Manifesto: Synth Pads

Manny's Modulation Manifesto: Synth Pads

An FM Synthesis Programming Tutorial focusing on the Yamaha Reface DX architecture - Lesson 4.

For this article, I'm going to delve into an area where FM synthesizers like the Reface DX are especially versatile -- the creation of pad sounds. Because of the amount of harmonic (overtone) content that can be created by even just a single modulator, FM synthesis is capable of creating a vast array of evolving and shifting pad sounds and timbres. The first place to start in constructing your pad sound is the Algorithm – which one to choose?
Continue reading
  973 Hits
973 Hits
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