| No. |
Name |
Comments |
 |
| 1 |
UpOct1 |
The chord (or phrase) ascends up to 1 Octave. |
|
| 2 |
UpOct2 |
The chord (or phrase) ascends up to 2 Octave. |
|
| 3 |
UpOct4 |
The chord (or phrase) ascends up to 4 Octave. |
|
| 4 |
DwOct1 |
The chord (or phrase) descends down to 1 Octave. |
|
| 5 |
DwOct2 |
The chord (or phrase) descends down to 2 Octaves. |
|
| 6 |
DwOct4 |
The chord (or phrase) descends down to 4 Octaves. |
|
| 7 |
UpDwAOct1 |
The chord (or phrase) ascends up to 1 Octave, then descends. |
|
| 8 |
UpDwAOct2 |
The chord (or phrase) ascends up to 2 Octaves, then descends. |
|
| 9 |
UpDwAOct4 |
The chord (or phrase) ascends up to 4 Octaves, then descends. |
|
| 10 |
UpDwBOct1 |
The chord (or phrase) ascends up to 1 Octave , then descends.
(This feature is slightly different from type UpDwAOct1.) |
|
| 11 |
UpDwBOct2 |
The chord (or phrase) ascends up to 2 Octaves, then descends.
(This feature is slightly different from type UpDwAOct2.) |
|
| 12 |
UpDwBOct4 |
The chord (or phrase) ascends up to 4 Octaves, then descends.
(This feature is slightly different from type UpDwAOct4.) |
|
| 13 |
RandmOct1 |
Plays up and down randomly between 1 Octave, based on the chord you play. |
|
| 14 |
RandmOct2 |
Plays up and down randomly between 2 Octaves, based on the chord you play. |
|
| 15 |
RandmOct4 |
Plays up and down randomly between 4 Octaves, based on the chord you play. |
|
| 16 |
Techno-A |
Typical techno sequence TYPE A. (Euro techno type.) |
|
| 17 |
Techno-B |
Typical techno sequence TYPE B. (UK Type with Velocity.) |
|
| 18 |
Techno-C |
Typical techno sequence TYPE C. (Japan techno type.) |
|
| 19 |
Techno-D |
Typical techno sequence TYPE D. (German techno type.) |
|
| 20 |
DAHouse |
Backing sequence with House music feel.
(Bass for left hand, Chord play for right hand.) |
|
| 21 |
SyncopaA |
Syncopation type sequence TYPE A. |
|
| 22 |
SyncopaB |
Syncopation type sequence TYPE B. (Octave moves extremely.) |
|
| 23 |
Echo&Pan |
Moving panning sequence with echo. |
|
| 24 |
TekkEcho |
Moving filter sequence with echo. |
|
| 25 |
SweepLine |
Sweeping filter sequence. |
| 26 |
PulseLine |
The sequence mixed with bass line and sequence line. |
|
| 27 |
BaseLineA |
Arpeggio phrase TYPE A for bass. |
|
| 28 |
BaseLineB |
Arpeggio phrase TYPE B for bass. (With Velocity.) |
|
| 29 |
BaseLineC |
Arpeggio phrase TYPE C for bass. |
|
| 30 |
BaseLineD |
Arpeggio phrase TYPE D for bass. |
|
| 31 |
Ocean |
Duophonic Arpeggio, nice for textures, uses up to 4 input notes. |
|
| 32 |
X-Sweep |
Duophonic Arpeggio, two arpeggios moving in opposite directions, using up to 3 input notes. |
|
| 33 |
Lamb |
Duophonic Arpeggio, nice with complex chords, using up to 5 input notes. |
|
| 34 |
Thips |
Note Repetition Pattern, with velocities, using up to 2 input notes. |
|
| 35 |
HardCore |
Monophonic Acid Line, using up to 3 input notes. |
|
| 36 |
Doves |
Trancey Monophonic Line, using up to 4 input notes. |
|
| 37 |
Chordal |
Duophonic Chordal Sweep, using up to 3 input notes. |
|
| 38 |
Orbit |
Triphonic Chordal Movement, using up to 6 input notes, try different chords in each hand. |
|
| 39 |
VelGruv |
Monophonic Acid Line, with velocities, using up to 4 input notes. |
|
| 40 |
MuteLine |
Monophonic Sequence, very short notes, using up to 2 input notes. |
|
 |
|
|
