CP Comparison Chart
Voices
| CP1 | CP5 | CP50 | ||
|---|---|---|---|---|
| Maximum Polyphony | 128 | 128 | 128 | |
| Tone Generator | SCM (Spectral Component Modeling) | SCM (Spectral Component Modeling) ＋ AWM2 | SCM (Spectral Component Modeling) ＋ AWM2 | |
Performances
| CP1 | CP5 | CP50 | ||
|---|---|---|---|---|
| Performances | Preset | 16 x 3 banks | 10 x 4 groups x 3 banks | 10 x 4 groups x 3 banks |
| User | 16 x 3 banks | 10 x 4 groups x 3 banks | 10 x 4 groups x 3 banks | |
| External | 16 x 3 banks (USB Flash Memory) | 10 x 4 groups x 3 banks (USB Flash Memory) | 10 x 4 groups x 3 banks (USB Flash Memory) | |
| Parts | 2 | 6 | 3 | |
| Voice Block | 17 piano types | 17 piano voices (SCM + AWM2) + 305 other voices (AWM2) | 12 piano voices(SCM + AWM2) + 215 other voices (AWM2) | |
Modulation Effect Block |
10 types | 49 types | 49 types | |
Power-Amplifier / Compressor Block |
8 types | 8 types | - | |
| Reverb | 8 types | 8 types | 8 types | |
| Master Compressor | - | 3-band | 3-band | |
| Master Equalizer | 5-band | 5-band | 3-band | |
Rhythm
| CP1 | CP5 | CP50 | ||
|---|---|---|---|---|
| Number of Kits | - | 14 | 14 | |
| Number of Patterns | - | 100 | 100 | |
Control Interface
| CP1 | CP5 | CP50 | ||
|---|---|---|---|---|
| Keyboard | 88 keys, NW-STAGE keyboard (Wooden synthetic ivory weighted keyboard) | 88 keys, NW-STAGE keyboard (Wooden synthetic ivory weighted keyboard) | 88 keys, GH keyboard | |
| Display | 55 character x 2 lines, vacuum fluorescent display (VFD) | 24 character x 2 lines, vacuum fluorescent display (VFD) | 24 character x 2 lines, vacuum fluorescent display (VFD) | |
| Controllers | Pitch bend wheel, Master volume, Knobs 1 to 6 | Pitch bend wheel, Master volume, Knobs 1 to 3, Part volume x 6, Master equalizer x 5, Gain | Pitch bend wheel, Master volume, Knobs 1 to 3, Part volume x 3, Master equalizer x 3 | |
Connectivity
| CP1 | CP5 | CP50 | ||
|---|---|---|---|---|
| Connectors | Line Out | L/MONO,R (Unbalanced), L, R (Balanced) | L/MONO,R (Unbalanced), L, R (Balanced) | L/MONO,R (Unbalanced) |
| Headphones | Headphones jack (stereo-phone) | Headphones jack (stereo-phone) | Headphones jack (stereo-phone) | |
| Foot Switch | SUSTAIN, SOSTENUTO, SOFT, ASSIGNABLE | SUSTAIN, ASSIGNABLE | SUSTAIN, ASSIGNABLE | |
| Foot Controller | × 2 | × 2 | × 1 | |
| Mic Input | - | × 1 | - | |
| MIDI | IN, OUT, THRU | IN, OUT, THRU | IN, OUT, THRU | |
| USB | TO HOST, TO DEVICE | TO HOST, TO DEVICE | TO HOST, TO DEVICE | |
Other
| CP1 | CP5 | CP50 | ||
|---|---|---|---|---|
| Power Consumption | 28W | 25W | 7W | |
| Additional package contents | Power cord, Pedal unit, Illustrated Guide to the CP1 booklet, Owner's Manual, Data List booklet, Software DVD-ROM (Cubase AI) | Power cord, Foot pedal FC3, Owner's Manual, Owner's Manual CD-ROM, Software DVD-ROM (Cubase AI) | Power adaptor PA-150 (or an equivalent recommended by Yamaha) , Foot pedal FC3, Owner's Manual, Owner's Manual CD-ROM, Software DVD-ROM (Cubase AI) | |
Size/Weigh
| CP1 | CP5 | CP50 | ||
|---|---|---|---|---|
| Dimensions | Width | 1,385 mm | 1,381 mm | 1,381 mm |
| Height | 173 mm | 174 mm | 165 mm | |
| Depth | 420 mm | 405 mm | 332 mm | |
| Weight | Weight | 27.2 kg | 25.2 kg | 20.9 kg |
SCM Piano Block
| CP1 | CP5 | CP50 | ||
|---|---|---|---|---|
Acoustic Piano Type | CFIIIS | The CFIIIS is the crowning glory of Yamaha's concert grand piano range. Distinctive for its rich harmonic overtones, this piano marries a rich, deep low-mid register with clear and bright highs. | ||
| 2 | 1 | 1 | ||
| S6B | Delivering a warm, deep sound, the S6B is ideal for extremely expressive performances combining both power and subtlety that matches to all music genres. | |||
| 2 | 1 | 0 | ||
Electric Piano Type |
CP80 | Reproducing the classic sound of the Yamaha CP80 Electric Grand Piano, the CP80 piano type can also be used to recreate an unique “Eighties” feel by boosting the high frequencies with the accompanying pre-amplifier. | ||
| 2 | 2 | 2 | ||
| Rd I | Synonymous with “electric piano,” the Rd I has various sound variations for each model. It recreates the airy feeling of Rd I pianos from each era. | |||
| 3 | 3 | 1 | ||
| Rd II | The late 70s, the Rd II electric piano employed the latest advances in technology to realize a unique, brilliant sound that was free of distortion even at high volumes. A pop sound brighter than the Rd I. | |||
| 2 | 2 | 0 | ||
| Wr | An electric piano sound rivaling the Rd for top popularity. When played lightly, the sound is sweet and delicate; when played strongly, it is earthy and funky. Its unique distortion sound is appealing. | |||
| 2 | 2 | 2 | ||
Synthesizer Piano Type |
DX7 | Produced by laying hard, high-order harmonic overtones that change delicately in response to touch over a warm, wide characteristic tone, DX7's electric piano sound took to world by storm. | ||
| 4 | * | * | ||
*DX7 sounds for CP5/CP50 are AWM2 (PCM sampled) voice.
Block Diagram
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